
Call
Centres Spark
Creativity
Inspires
books &
Bollywood
BPO
Today,
Outsourcing
is India's greatest
success story.
This story is
woven around
call centres,
beehives of
high-energy
activity, where
a number of
men and women,
most of them
young, smart
and well-paid
work. They mix
freely, pub-hop,
wine, fine-dine
and have a lot
of fun. Naturally,
these centres
are a breeding
ground for love,
lust and envy.
There have been
instances of
violence, financial
frauds, rape
and even murder.
No wonder, the
Bollywood, starved
of good stories,
has found a
fertile ground
for material
in these call
centres. Similarly,
novelists, and
short story
writers have
been drawing
inspiration
from these call
centres.
Recently,
the book publishing
house HarperCollins
India has announced
the forthcoming
release of a
"romantic
comedy about
outsourced love"
called "Once
Upon a Timezone......"
by Neelesh Misra,
a journalist
and Bollywood
songwriter.
The novel will
be available
in bookstores
in October,
after its first
formal release
at the Frankfurt
Book Fair-where
India is the
guest of honour
this year.
“Once
Upon a Timezone..."
is a story about
a middle-class
youth, who dreams
of his first
love America,
but settles
for the second
best--a job
at a call centre--after
he fails to
get a job in
the US. He assumes
an American
identity and
soon tumbles
into a faraway
romance that
will transform
his life.
Lucknow-born
Misra, 33, who
had worked for
major Indian
and foreign
news agencies,
had previously
written two
non-fiction
books--The Hijacking
of IC 814 and
End of the Line:
The Story of
The Killing
of The Royals
in Nepal.
Misra is also
a songwriter
for Bollywood
and has written
songs for films
including Jism,
Rog, Holiday,
Gangster and
Woh Lamhe.
Then there is
a documentary
titled, Bombay
Calling, made
by Samir Mallal
and Ben Addelman.
This award-winning
documentary,
featuring Sambuddha
aka Sam, was
shown on National
Geographic Channel
on August 15.
He seems quite
comfortable
with his pseudonym,
given to him
at the Epicenter
call centre
in Mumbai where
he is an office
manager. He
motivates, threatens
and shouts at
his colleagues
to generate
more sales,
but always in
a carefully
trained American
accent. “I
have never visited
the United States
but I know the
difference between
a Texan accent
and a Californian
one," says
Sam. “Of
course, money
is most important
to me,"
he adds.

Sam could be
speaking on
behalf of the
thousands of
Indian call
centre employees
who work through
the nights in
their fancy
accents, listening
to clients barking
orders and abusing
them, but earning
enough to sustain
a fancy lifestyle
at a young age.
In another scene
from Bombay
Calling, a father
boasts of his
young girl's
earnings - predictably,
she becomes
a role model
of sorts in
Nashik as she
helps her parents
construct their
home.
In the wee hours
of the night,
the film shows
the call centre's
employees at
work in office.
The "work
rocks"
attitude changes
quickly to a
disdainful "work
sucks",
even as they
sip cocktails
in a nearby
pub after a
gruelling eight
hours of non-stop
telemarketing.
Mallan wanted
to make a film
on the economic
and cultural
transformation
happening in
India and was
amused to learn
that "sometimes
call centre
employees were
even memorising
baseball scores
in order to
banter with
their clients".
Mallan and Addelman
are not the
only ones to
explore the
creative dimensions
of the BPO boom
in India. Chetan
Bhagat plotted
the antics of
the six main
characters for
his second book
One Night @
the Call Center
around this
setting.
So has Richmond-based
documentary
filmmaker Sonali
Gulati for the
witty and personal
Nancy By Day,
Nalini By Night,
the title itself
saying a lot
about the psyche
of young middleclass
Indians ready
to be Westernised
in order to
chase their
dreams and money.
Mumbai-based
filmmaker Ashim
Ahluwalia in
his part-documentary,
part-fiction
film John and
Jane focuses
on the personal
stories of his
call centre
protagonists.
PSBT has sponsored
Bharath Murthy
and Sreejith
Karanavar for
their film Sixth
Sheikh's Sixth
Sheep's Sick,
a film that,
according to
the directors,
"looks
at the lifestyle
of people working
in call centres
in Kolkata and
their mechanisms
for coping with
this virtual
environment".
Even the small
screen hasn't
lagged behind,
and launched
India Calling
on Star One,
a serial that
revolves around
a Chandigarh-based
protagonist,
Chandni, who
comes to Mumbai
in search of
her sister and
ends up working
in a call centre.
What is prompting
directors, writers
and documentary
filmmakers to
explore the
world of call
centres? Mallan
feels that the
call centre
lifestyle is
intriguing.
"Young,
middle-class
kids,"
he feels, "are
suddenly flush
with disposable
income and spending
like never before."
He adds, "Men
and women are
interacting
every day. I
wanted to explore
the dimensions
of what impact
this life was
having on them.
How were they
balancing traditions
with the demands
of their job?"
While Mallan
shot the film
for over a year,
he admits to
having researched
by hanging out
with a lot of
call centre
employees in
addition to
visiting a lot
of call centres.
Interestingly,
Bhagat sneaked
into a call
centre- courtesy
his cousins
who worked there
- and spied
on some employees
in Delhi. He
says he had
a challenging
task ahead,
especially after
his first book
Five Point Someone
was a stupendous
success in India.
Since call centres
were new and
happening, he
decided to base
his story on
them. "BPOs,"
he says, "are
a part of Indian
culture and
that's the reason
I wanted to
showcase a story
on it."
Bhagat is now
working on the
script of One
Night @ the
Call Center
for a movie
that will be
directed by
Atul Agnihotri
and will be
released by
mid-2007.
While Bhagat
may be right
in referring
to call centres
as part of the
Indian ethos,
a news channel
recently showcased
a special episode
on the darker
side of call
centres. An
ex-call centre
employee on
Life's Like
That remarked,
"I had
to control my
pee because
I couldn't leave
the cubicle
without my boss's
permission."
Another girl
revealed how
her boss almost
molested her
after he called
her into his
cabin.
Fortunately,
a majority of
the films and
documentaries
look at presenting
a complete picture
rather than
simply scratching
the surface.
Wendy, a character
in Bombay Calling,
narrates that
"loss of
appetite, sleep
disorders and
the stress of
non-performance
kills".
She adds, "No
sales for three
days can get
us sacked and
this is the
unfortunate
baggage that
comes along
with the mega
bucks, lots
of independence
and late night
parties."
Mallan agrees,
"It is
a tiring and
thankless job
and capturing
this side of
things was important
for us as filmmakers.
Surprisingly,
India Calling
avoided the
darker side
of call centres.
In fact, the
serial has changed
track completely
and is now just
another family
saga. Shailja
Kejriwal, creative
head, Star India
says, "We
weave dreams
through serials
and wanted to
use the call
centre only
as a backdrop."
Most filmmakers
are showing
the small-town
aspirations
and delusions
of Indian call
centre employees.
"My book
was very popular
in small towns
across India,"
says Bhagat.
Bombay Calling
has also won
a clutch of
awards including
the grand jury
prize at the
Indian film
festival at
LA, and the
most innovative
documentary
award at the
Doxa festival
in Vancouver.
"Youngsters
here (in India)
are chasing
the new Indian
dream and doing
whatever it
takes to succeed
in the global
economy,"
says Mallan.

24/7 Customer
named best
global call
centre
24/7
Customer, a
global provider
of business
process outsourcing
services, has
been named the
best performing
global call
centre in an
international
book titled
The 50 Best
Managed Global
0utsourcing
Vendors, a collaboration
between Sourcing
Magazine and
The Black Book
of Outsourcing.
The annual survey,
which analyzed
over 870 international
outsourcing
vendors in 63
countries, was
considered by
users, clients
and employees
to find 'Top
50 best managed
vendors' for
2006.
The companies
were ranked
based on their
consistent strength
in the areas
of human capital
performance,
CEO commitment,
corporate direction
and leadership
impact. Other
factors included
client and employee
satisfaction.
24/7 Customer
has been evaluated
on 44 indicators
on outsourcing
industry superiority,
of which 26
indicators are
specific to
leadership,
and 18 indicators
addressing operational
results.
Scott Wilson
and Doug Brown,
co-authors of
The Black Book
of Outsourcing,
state in the
book: "Continual
improvements
earned 24/7
Customer, the
distinction
of being the
best performing
global call
center; lowering
attrition and
actively mentoring
workers to keep
clients happy."
"24/7 Customer
is honoured
to receive this
prestigious
ranking, as
we rapidly expand
our presence
across the globe
and strive to
create better
value for our
clients,"
said P V Kannan,
Co-Founder and
CEO, 24/7 Customer.
"We see
this accolade
as a testimony
to our ability
to execute consistently
and surpass
customer expectations,
meet and exceed
our employees'
needs."
The Black Book
of Outsourcing
has been developed
to provide objective
and thorough
analysis and
advice to outsourcing
buyers around
the world, using
measurable criteria
and independent
research. The
book was compiled
through 16,095
users and outsourcing
employee responses
to an electronic
survey the authors
issued at the
start of the
year 2006.
Of the respondents,
46 percent were
from North America,
22 percent were
from Europe
and a quarter
were from Asia-Pacific
region.